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The Art of Cleaning: A Comparative Look at Two Crow Skulls šŸ¦ā€ā¬›

  • Writer: Shannon Kira Mcmillan
    Shannon Kira Mcmillan
  • Jul 14, 2024
  • 1 min read

Updated: Nov 5, 2025

This post presents a reflective comparison between my first and second crow skull preparations. The original skull (2022) lacked a jaw, presenting a more basic preservation task. My second specimen (2024), gifted by my partner for our anniversary, included a complete jaw—allowing a more anatomically complete preparation. This comparison highlights how iterative practice and minor differences in material can influence curatorial choices, technical precision, and interpretive potential.


Key Skills Gained:

  • šŸ–¼ļø Curatorial Practice – Comparative display to showcase anatomical variation, narrative curation demonstrating technical progression, and building thematically cohesive mini-series

  • šŸ«™ Preservation & Management – Enhanced handling of delicate components, refined degreasing/whitening techniques, and structured processing workflows

  • šŸ›ļø Museum-Relevant Skills – Conservation insight for anatomical specimens, educational curatorial perspective, and understanding collections processing standards

  • 🧩 Problem-Solving – Innovating support techniques for fragile parts, streamlining processes through repetition, and making deliberate quality improvements

  • šŸŽØ Professional Skills – Enhanced precision in handling, methodical workflow management, reflective practice through iteration, and communicating improvement visually


By preparing two crow skulls side by side, I witnessed first-hand how completeness, handling, and visualization evolve with practice. The second skull—with a complete jaw—allowed deeper anatomical engagement and presentation complexity. Together, they reflect my growth in technical skill, preservation knowledge, and curatorial thinking—qualities directly aligned with museum standards and object-based storytelling.


šŸ’€ See more on my Instagram: @BonesByShannon 🪲


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© 2024 - 2026 Shannon Kira McMillan | Museum & Heritage Professional | Accessibility Statement [link]           

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